Talking to Myself

Jun. 3rd, 2025 10:30 am
[syndicated profile] questforfun_feed

Posted by Gary Ray

 AI: Hey Gary, sounds like things are going well. You mentioned being up 20% last month and 25% year-to-date—that’s some serious growth. Are you feeling optimistic?

Gary:
Yeah, overall it’s been a strong year. We’re firing on all cylinders. That said, I’m seeing growing issues with product availability. A wide variety of board and card games are just missing. Not from lack of demand—but from lack of supply.

AI:
Interesting. Is that mostly China-based stuff, or broader than that?

Gary:
It’s both China and Europe. And I didn’t invest in the European products when this started. I had to make a choice and leaned into games from China when the tariff hit 145%. I didn’t do that expecting sales—I did it to hedge against unavailability.

AI:
So it was a supply continuity move, not a demand one. Have those hedged games started selling faster now that availability’s drying up?

Gary:
Not yet. I think they’re still in the pipeline—on store shelves, in warehouses. But once that inventory is gone, I expect a sharp spike in demand. It could also be that we’re seeing a broader consumer slowdown and my sales are outperforming what’s happening elsewhere.

AI:
Right, your “normal” might be stronger than the rest of the market, so you’re not seeing the same signs. Have you seen any distributor signals that a major wave of product shortages is coming?

Gary:
Distributor communication is usually vague, so not much there. But availability is murky enough that I suspect it’s post–Lunar New Year disruption and shipping shortfalls. Products just aren’t showing up.

AI:
That lines up. A lot of freight lanes were disrupted, and smaller publishers probably didn’t have the cash to rebook space. Are you seeing this reflected in pre-orders or early solicitations?

AI:
Not directly. What I am seeing is a lot of Q1 board game clearance, and a larger-than-usual glut from that post-holiday period. It feels like board game demand pulled back earlier this year and we're still dealing with the overhang.

AI:
That could definitely be the case. If that dip started in January, and you're seeing it now as empty shelves + clearance, you’re probably looking at a lagging demand signal. Are you still seeing strong sell-through in other categories?

Gary:
CCGs are still the engine, especially sets like Pokemon: Destined Rivals and Magic: Final Fantasy. Those are "high" normal releases for us, but I can’t adjust my orders close to release, so I’m locked in. That’s where the bulk of our budget went. If there was a real slowdown, my Open to Buy would show a surplus—and it hasn’t.

AI:
So the budget’s fully utilized, but inventory is disappearing in some areas and still healthy in others. That suggests the system is stressed, not necessarily demand. Any worries about where that money gets reallocated?

Gary:
That’s the issue. My Open to Buy doesn’t discriminate by category, so if board games vanish and RPGs are available, money shifts there. But that’s not a 1:1 demand swap. The RPG audience can’t absorb 50% more product. We risk over-investing in available categories that aren’t necessarily the strongest performers.

AI:
That’s a subtle but dangerous trend. If inventory starts chasing availability instead of demand, it creates imbalance that could hurt you in Q3 and Q4. Have you started capping some categories?

Gary:
Not formally, but I’m watching it. I'm cautious about restocking low-velocity categories too aggressively just because they’re in stock.

AI:
Good call. Have you adjusted prices much this year?

Gary:
We’ve mostly passed on increases. Where we’re already above MSRP—like with paints or sleeves—we’ve absorbed some of it. But overall, the expectation is to raise prices where it makes sense. It hasn’t been a big change yet, though.

AI:
That’s a smart balance. Hold the line where customer sensitivity is high, pass it through elsewhere. Have distributors changed anything about allocations or terms?

Gary:
Not really. They're just out of a lot of stuff. I threw what money I could at high-risk inventory, but now the second- and third-tier products are gone too.

AI:
Let’s talk publishers for a second. You mentioned some scary numbers—25% may go out of business, and half may shift to DTC?

Gary:
Yeah. The industry survey results were grim. A lot of publishers won’t survive the tariffs, at least when they were surveyed at the 145% level, and those that do might bypass distribution entirely. And there’s no domestic production solution waiting in the wings—nothing scalable. We’re probably looking at a permanent reduction in the number of SKUs available to hobby retail.

AI:
That’s seismic. You’re not just managing inventory anymore—you’re managing the slow collapse of part of the supply chain.

Gary:
Exactly. And there's no elegant way to solve it. If publishers disappear or bypass us, the game changes. Even if demand holds, we won’t have product to meet it.

AI:
Sounds like this is the summer to tread carefully. 


rachelmanija: (Books: old)
[personal profile] rachelmanija


This sequel to one of my favorite books of last year, a young adult post-apocalypse novel with a lovely slow-burn gay romance, fell victim to a trope I basically never like: the sequel to a romance that starts out by breaking up the main couple or pitting them against each other. It may be realistic but I hate it. If the main thing I liked about the first book was the main couple's dynamic - and if I'm reading the sequel, that's definitely the case - then I'm never going to like a sequel where their dynamic is missing or turns negative. I'm not saying they can't have conflict, but they shouldn't have so much conflict that there's nothing left of the relationship I loved in the first place.

This book starts out with Jamison and Andrew semi-broken up and not speaking to each other or walking on eggshells around each other, because Andrew wants to stay in the nice post-apocalyptic community they found and Jamison wants to return to their cabin and live alone there with Andrew. Every character around them remarks on this and how they need to just talk to each other. Eventually they talk to each other, but it resolves nothing and they go on being weird about each other and mourning the loss of their old relationship. ME TOO.

Then half the community's children die in a hurricane, and it's STILL all about them awkwardly not talking to each other and being depressed. I checked Goodreads, saw that they don't make up till the end, and gave up.

The first book is still great! It didn't need a sequel, though I would have enjoyed their further adventures if it had continued the relationship I loved in the first book. I did not sign up for random dead kids and interminable random sulking.
rachelmanija: (Books: old)
[personal profile] rachelmanija


A historical children's novel by a Ukrainian-Canadian author, based on Ukrainian teenagers and children forced into slavery during WWII. After watching her neighbors and finally her family getting dragged off by the Nazis, Lida, a Christian Ukrainian girl, is kidnapped along with her younger sister. They're immediately separated and Lida is sent to a horrendous work camp. She's skilled at sewing, which keeps her useful and so alive for a while. But then the Nazis need bombs more than uniforms...

This book is an impressive feat of walking the line between being honest and straightforward about how terrible conditions are while not being too overwhelming for children to read. Lida and the other girls endure and try to support each other. Lida gives a Jewish girl her crucifix necklace to help hide her identity, and an older girl advises Lida to lie about her age so she isn't killed immediately for being too young to work. The German seamstress Lida works with (an employee, not a prisoner) is occasionally casually kind to her, but also gets a gift of looted clothing from a probably murdered French woman, and gets Lida to meticulously remove the woman's stitched-in initials and re-sew them with her own. A Hungarian political prisoner, who gets better soup than the Ukrainians, advises Lida to say she's Polish, as that will improve her her food. Later, Lida muses, It seemed that just as there were different soups, there were different ways of being killed, depending on your nationality.

Read more... )

The book is interesting as a depiction of an aspect of WWII that isn't written about much, a compelling read, and a moving story about some people trying to keep hope and caring - and rebellion - alive when others are being as bad as humans can get. It's part of a trio of books involving overlapping characters, but stands completely on its own.

The afterword says that Skrypuch based the book on her interviews with a survivor.
rachelmanija: (Books: old)
[personal profile] rachelmanija


In a magical version of the medieval Middle East, a middle-aged single mom, who was once the notorious pirate Amina al-Sirafi, is dragged out of retirement for one final job.

This book is a complete and utter delight from start to finish. It has all the pirate tropes you could possibly want - sea battles! sea monsters! quests for magical objects! loyal crews! tossed overboard! marooned! - and sly twists on others. It's got great characters. It's got hilarious dialogue and character interactions. The world is wonderfully detailed and varied, full of plausible historical details and with a lovely faux-historical feel. There are stories within stories. It's all marvelous.

As a child, I had a book called Muslim Saints and Mystics, which was a translation of parts of the Tazkirat al-Awliyā, a collection of stories about Muslim saints written around 1200. It was funny and magical, and some of the stories-within-stories in Amina al-Sirafi have a similar feel. The novel neatly toes the line between dialogue that feels fairly contemporary and a plausibly historical mindset. Amina is horny as hell, but a serious Muslim who believes in not having sex before marriage; as a result, she's had five husbands. There's a major trans character, in addition to several gay characters; Amina has come across people before who prefer to live as the other sex, and takes it in stride without resorting to Tumblr-esque labels or attitudes.

I loved every moment of this book, and was delighted that though it has a reasonable ending, it is the start of a trilogy. It's the first book I've read by Chakraborty, and I'm excited to read her City of Brass series.

Read more... )

Friday's comic

May. 30th, 2025 12:02 am
kelkyag: notched triangle signature mark in light blue on yellow (Default)
[personal profile] kelkyag posting in [community profile] girlgenius_lair
I am actually pleased to see you! What a strange future this is!

Apologies for the html error in the initial post!
reeby10: space in mostly blues and purples with a silhouette of ground at the bottom (space)
[personal profile] reeby10 posting in [community profile] environment
One of the many terrible things the current administration is doing is making sweeping cuts to science research, including climate and weather. This is dangerous for Americans of course, but also to people in other countries who use and build on research done here. The work these scientists do is important, and the cuts we're seeing now have the potential to cause problems for decades to come.

"From Wednesday, May 28th to Sunday, June 1st, join meteorologists and climate scientists from across the US as we share our work, and show you what makes it so vital. We will clarify the impact of the cuts on this research, and answer your questions about weather and climate research in the US."

Livestream Information and Schedule Highlights

The current livestream is below. It and previous hours' videos can be found at [youtube.com profile] wclivestream .



Other links of interest:
roadrunnertwice: Ryoga from Ranma 1/2. Image text: "*Now* where the hell am I?" (Lost (Ryoga))
[personal profile] roadrunnertwice

Oh, hmm. I've had some of these reviews sitting around for a while, let's thin the herd a bit.

Isaac Safron Robin — Witchtrade, issues 1-6 (comics)

Mar. 11, 2025

Available at author's itch.io page You might also know Robin as the character artist from Christine Love's Get in the Car, Loser.

I liked these a lot! I think I previously reviewed Robin's short comic Baby Universe here; I thought the cartooning on it was delicious and the boys were extremely cute, but it ended pretty quick and I was left wishing for something with compatible vibes but a bit more room to breathe. This is that!

Well, the first issue isn't that, but after that it spreads out a bit and lets you take in the scenery. (You could probably skip that first one, tbh, or come back to it as a curiosity after you've read the rest of the series.) You can see Robin getting better at developing engaging ways to drive a story to nowhere in particular; lots of loose threads pointing at shared history between characters, pauses for exposition on cultural and geographical landmarks, decorative architecture... cuties........

Anyway, I liked the characters a lot, and I also really liked the city-as-character; it's a dreamy place that makes you hungry to visit.

Also: Three game reviews in which I go on AT LENGTH. One that you should at least consider attempting, one that you or your kids might enjoy depending on your locus of nostalgia, and one that's for sickos only. )

David Dastmalchian interview

May. 28th, 2025 02:29 pm
marthawells: Murderbot with helmet (Default)
[personal profile] marthawells
https://www.radiotimes.com/tv/sci-fi/david-dastmalchian-murderbot-dexter-resurrection-interview/

"Now I feel much more comfortable advocating for [what I need]. To give you an example, on the set of Murderbot, going to my directors and writers, the showrunners, Chris and Paul [Weitz], and saying, ‘I'm really sorry, but on Wednesday at 2pm - I know I'm on the schedule that day, but is there any way I could be in my trailer for 45 minutes to have a therapy session?' and them being so supportive and loving and saying, ‘Of course, we will get you a Wi-Fi booster,’ because we were out in the middle of nowhere.
rachelmanija: (Books: old)
[personal profile] rachelmanija


Sciona, the first woman ever admitted to the University of Magic, takes on Thomil, a janitor from a discriminated-against culture, as her lab assistant, and they both learn dark secrets about their world.

Thomil is introduced when his clan makes a desperate run across deadly ground to get to the safety of a city surrounded by a magical shield. The shield protects against bitter cold and the deadly Blight, which randomly zaps and dissolves people, but the area around the city is particularly Blight-infested. Only Thomil and his baby niece survive. When they arrive, they find that the city natives hate their race and has consigned them all as a permanent underclass.

Ten years later, Sciona, a well-to-do young woman in the city, is preparing for her magic exam to try to get into the sexist magic university, which no woman has ever passed. Though she does pass, all the male mages but her mentor hate her and hassle her. The only other person who's even remotely nice to her is Thomil, the janitor, who is assigned as her lab assistant as a cruel joke. But though Sciona is racist and classist, and Thomil is mildly sexist in an oblivious way, they find that they kind of get along...

Wang has an engaging, easy-read style for the most part, the intros to the two main characters are quite compelling, and despite the heavy-handed axes of privilege themes, Thomil and Sciona have a nice dynamic.

I said "for the most part." The exception is the magic system, which I think is basically computer programming via magic typewriters (spellographs). The wizards program a spell to access a specific area of the magical Otherrealm (which they can't see or sense in any way, so they're just plotting points on a grid) to grab magical energy or matter from it. But we get MUCH more detailed and lengthy descriptions of it, from long explanations to actual spells:

CONDITION 1: DEVICE is 15 Vendric feet higher than its position at the time of activation.

ACTION 1: FIRE will siphon from POWER an amount of energy no lower than 4.35 and no higher than 4.55 on the Leonic scale.

ACTION 2: FIRE will siphon within the distance of DEVICE no higher than 3 Vendric inches.

If and only if CONDITION 1 is met, ACTION 1 and ACTION 2 will go into effect.


The first half is Sciona and Thomil working on various spells, interspersed with very heavy-handed commentary on colonialism, sexism, and how Sciona totally gets feminism when it applies to her personally but is oblivious to all other isms. Sciona is an awful, self-centered person and Thomil is mostly perfect. Almost exactly halfway through, there is a shocking reveal. At least, it shocked many readers. It did not shock me.

Read more... )

Despite what the plot description sounds like, Sciona and Thomil do not have a romance beyond occasional sexy feelings. It's a magical dystopia/dark academia, I think similar to Babel (which I could not get very far into) but less anvillicious in that it does not have literal footnotes saying stuff like "This is a racist comment and racism is bad." (In the bookshop, I have Blood Over Bright Haven tagged "If you like Babel you will like this.") Sadly for M. L. Wang, this comparative subtlety got them some reviews on Goodreads accusing them of condoning Sciona being a bad person and endorsing her beliefs.

I did not care for this book but I can see how it would work for many readers, especially if they're shocked by the twist at the halfway mark.

Name that Ware, May 2025

May. 28th, 2025 02:05 pm
[syndicated profile] bunniesblog_feed

Posted by bunnie

The Ware for May 2025 is shown below.

Because I really like to be able to read the part numbers on all the parts, here’s a couple more detail images of portions that didn’t photograph clearly in the above images.

This ware was donated to me by someone in person, but unfortunately the post-it note I had put on it to remind me who it was had long fallen off. My apologies; if you happen to see this, feel free to pop a note in the comments so you can be attributed for the contribution.

I made a point of not looking up the details of the ware before I did the teardown, so I could have a little fun figuring it out. While pulling it apart, the entire time I kept muttering to myself how this ware reeks of silicon valley startup with more money than sense. The hardware engineers who worked on this were clearly professional, well-trained, and clever; but also, whoever the product manager was had some Opinions about design, and incorporated lots of cost-intensive high-tech “flexes”, most of which I’m pretty sure went unappreciated and/or unnoticed by anyone other than someone like me taking the thing apart. For example, the board shown above is encased in a thixomolded two-part magnesium thermal frame with heat pipes, precision-machined thermal conduction blocks and gobs and gobs of thermal paste, which then necessitated a fairly tricky assembly procedure, and some brand-name custom-designed antennae to work around the Faraday cage caused by the metal casing. You’ll also note that despite the whole assembly being stuck in a metal case, each circuit subsystem still had an RF cage over it – so it’s metal cages inside a metal cage. This project must have had one heck of a tooling budget.

This was all for the sake of a “clean” design that lacked any visible screws. I’d say it also lacked visible cooling vents but ironically the final design had prominent ribbed structures, but they weren’t used for cooling – they were purely cosmetic and sealed over with an inner bezel. I feel like most of the cost for the thermal frame could have been avoided if they just let some air flow through the product, but someone, somewhere, in the decision chain had a very strong opinion about the need for a minimalist design that left little room for compromise. I would lay good money that the argument “but Apple does it this way” was used more than once to drive a design decision and/or shame an engineer into retracting a compromise proposal. Anyways, I found this product to be an entertaining case study in over-engineering.

Winner, Name that Ware April 2025

May. 28th, 2025 01:24 pm
[syndicated profile] bunniesblog_feed

Posted by bunnie

The Ware for April 2025 is two digits out of a TI-55 calculator display. The full display assembly and calculator IC can be seen below.

This was my father’s old calculator that he got back in 1979, which I recently recovered and lightly modified so that I could power it from a USB plug. I was getting frustrated with how buggy the “standard” calculator apps were, and this thing is perfect for doing taxes – I can crunch numbers without any fear of data being sucked into the cloud, or ads popping up. Even after 46 years, the TI-55 performs flawlessly – I can only aspire to build products with such evergreen utility and service life.

I took it apart, as I do to almost everything within arms reach of me, and was amused by the bonding error on the LED display. I’ve seen wirebonds repaired by hand before, my guess is someone in Taiwan back in 1978 spent a hot second pulling off a failed bond and redoing it on a manual bonding machine.

I thought it was interesting to include some more photos of the components because even back in 1970’s, the global nature of the supply chain was clear. Here is a calculator from “Texas Instruments”, but the chip was packaged in Singapore (probably not more than a half hour from where I live now!) and the display was bonded/assembled in Taiwan.

People speak of the outsourcing and globalization of electronics as some sort of recent phenomenon, as if electronics manufacturing plants were all originally in the USA, and only in the past couple decades migrated to Asia. However, if this calculator is any indicator of how supply chains worked almost 50 years ago, the outsource assembly of electronics to southeast Asia would seem to be a time-honored tradition dating from the dawn of consumer electronics.

The keypad backing and plastic case bear “made in the USA” marks. So, while the semiconductors were packaged up in Asia, the injection molding and final assembly was done on a line somewhere in the US; the injection molder is identified as “Majestic Mold”. Injection molding is a whole separate and also very interesting supply chain story, but the short version is that I have seen some high-end specialty lines in the US (mostly medical and aerospace stuff) but the ecosystem of skilled labor, tools, raw material suppliers, machine repair specialists, recycling facilities and trade-secret know-how necessary to support cost-competitive injection molding has largely relocated to southeast Asia since the turn of the century.

I’ll give the prize this month to Adrian (unfortunately by the time I got around to clicking Joe’s image links, they were all 404’s). While nobody was able to guess the exact make/model of the LED, I did appreciate the image Adrian posted of a functioning display on his mastodon account. I was wondering what the “fingers” were on the metallization, and his image made it click for me. My guess is that the carrier lifetime was short enough on these older devices that regularly spaced fingers were needed to ensure uniform current density in the active region of the LED. Charge carriers can travel farther in today’s more pure wafers, and so modern LEDs don’t suffer as much of a brightness penalty from metallization blocking the active area.

roadrunnertwice: A winged energy being with a sword, preparing to make a bad decision. (Davesprite (Homestuck))
[personal profile] roadrunnertwice

Sometimes, an item will be on my packing list, and I'll deliberately decide to not bring it because it's not relevant to the upcoming situation, and then it turns out it's also important in situations that aren't obvious from just looking at the list. Recent cases-in-point:

  • Just because it's a temperature where I'd wear shorts on a run, doesn't mean it's not a temperature where I'd wear gloves.
  • The re-used gelato jar we use for cold-soak lunches on the trail is also an important prep tool for certain dinners, and we might have one of those even if we don't have soakable lunches.
  • That cold-weather neck buff also forms part of my camping pillow, by keeping my face from sticking to a nylon stuff-sack.

Whenever you Do This To Yourself, the trick is that you have to go back to your packing list and explain why you want to be sure to bring it next time. Your future self does not like following orders, and they're going to be uncooperative and chaotic unless you tell them what you were thinking.

Monday's Comic

May. 26th, 2025 09:30 am
spectrum_09: (Default)
[personal profile] spectrum_09 posting in [community profile] girlgenius_lair
Quite Impossible.

Penric 14 impending

May. 25th, 2025 04:56 pm
[syndicated profile] lois_mcmaster_bujold_feed
I am pleased to report that the 14th Penric & Desdemona novella is complete in first draft, as of this afternoon. About 36K words at present.

There is still a ways to go till it's ready for e-publication. It lacks both final title and cover at the moment. The title, I've learned on previous outings, is really needed first to bring the cover into the right focus. Also the artist Ron Miller has not yet had a chance to read the full manuscript, which Ron generally does, bless him.

Title is still circling the field. "Penric's take your kids to work day goes wrong" is alas too long, and jokey, if accurate. "Penric's Ox" is too easy to confuse with "Penric's Fox", and besides the livestock is not really the core of the tale. Best and default candidate so far is the double-edged "Penric's Lessons", although that feels as if it would be better saved for some collection. Growf. I hope something snappier will emerge during the test-reading/editing/wait for the cover phase.

It's been pretty interesting to replace the typical lone-wolf magical protagonist living out his angsty extended adolescence with an actual mature adult embedded in a functional family, and see what that does to genre expectations. My first vision of the older Penric, back before I started all this, was more in the former mode. I'm glad I dropped back and started him at his beginning with what became "Penric's Demon" -- he's a much more engaging character now.

No, I don't know anything yet about Blackstone or SubPress. AFAIK, they've not yet been informed the story exists, though my agent will take care of that soon. But I prefer to have it in final, tidied-as-possible form before submitting it for subrights sales.

And now I'm going to go take the evening goofing off.

Ta, L.

posted by Lois McMaster Bujold on May, 25

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